71 Royalty-Free Audio Tracks for "George Frideric Handel"

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George Frideric Handel: Messiah
Author: Hermann Scherchen, conductor; London Symphony Orchestra; London Philharmonic Choir; Margaret Ritchie, soprano; Constance Schacklock, contralto; William Herbert, tenor; Richard Standen, bass; Frederick Jackson, chorus master; Thomas Matthews, violin; George Eskdale, trumpet
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07:47
George Frideric Handel: Messiah
Author: Hermann Scherchen, conductor; London Symphony Orchestra; London Philharmonic Choir; Margaret Ritchie, soprano; Constance Schacklock, contralto; William Herbert, tenor; Richard Standen, bass; Frederick Jackson, chorus master; Thomas Matthews, violin; George Eskdale, trumpet
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04:08
George Frideric Handel: Messiah
Author: Hermann Scherchen, conductor; London Symphony Orchestra; London Philharmonic Choir; Margaret Ritchie, soprano; Constance Schacklock, contralto; William Herbert, tenor; Richard Standen, bass; Frederick Jackson, chorus master; Thomas Matthews, violin; George Eskdale, trumpet
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04:50
George Frideric Handel: Messiah
Author: Hermann Scherchen, conductor; London Symphony Orchestra; London Philharmonic Choir; Margaret Ritchie, soprano; Constance Schacklock, contralto; William Herbert, tenor; Richard Standen, bass; Frederick Jackson, chorus master; Thomas Matthews, violin; George Eskdale, trumpet
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02:54
Title/Work: Messiah (Handel) Content: No.07: Chorus: And He Shall Purify Genre(s): Oratorio Author(s)/(Composer(s): George Frideric Handel (1685-1759) Music arranger(s): none Lyricist(s): Charles Jennens (1700-1773) Performer(s): Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)) Conductor: Malcolm Sargent Place of recording: Liverpool Philharmonic Hall, Hope Street, Liverpool, Merseyside (United Kingdom) 1st release date: 1947 1st recording date: 14 July 1946
Author: Untitled
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03:09
Title/Work: Messiah (Handel) Content: No.04: Chorus: And the Glory of the Lord Genre(s): Oratorio Author(s)/(Composer(s): George Frideric Handel (1685-1759) Music arranger(s): none Lyricist(s): Charles Jennens (1700-1773) Performer(s): Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)) Conductor: Malcolm Sargent Place of recording: Liverpool Philharmonic Hall, Hope Street, Liverpool, Merseyside (United Kingdom) 1st release date: 1947 1st recording date: 12 July 1946
Author: Untitled
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02:55
Title/Work: Messiah (Handel) Content: No.06: Air: But who may abide (Conclusion) Genre(s): Oratorio Author(s)/(Composer(s): George Frideric Handel (1685-1759) Music arranger(s): none Lyricist(s): Charles Jennens (1700-1773) Performer(s): Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)) Conductor: Malcolm Sargent Place of recording: Liverpool Philharmonic Hall, Hope Street, Liverpool, Merseyside (United Kingdom) 1st release date: 1947 1st recording date: 14 July 1946
Author: Untitled
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05:01
The Harmonious Blacksmith, the final movement, Air and variations, of George Frideric Handel's Suite No. 5 in E major, HWV 430, for harpsichord
Author: Musopen
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03:40
1st release date: 1942 1st recording date: 29 August 1942 Place of recording: unknown Author(s)/Composer(s): George Frideric Handel (1685-1759) Music arranger(s): Sir Hamilton Harty (1879-1941) Lyricist(s): none Conductor: Sir Malcolm Sargent (1895-1967) Performer(s): The Hallé Vocal range: instrumental Title/Work: Water Music, HWV 348-350 Content: Suite in F major, HWV 348: Allegro deciso Genre(s): Suites
Author: Untitled
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02:49
George Frideric Handel's Water Music: 16. Sarabande (Suite No. 3 in G, HWV 350: I. Sarabande) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.
Author: Untitled
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03:16
George Frideric Handel's Water Music: 13. Minuet (Suite No. 2 in D, HWV 349: V. Minuet) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.
Author: Untitled
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01:16
George Frideric Handel's Water Music: 15. Bourrée (Suite No. 2 in D, HWV 349: IV. Bourrée) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.
Author: Untitled
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02:06
George Frideric Handel's Water Music: 11. Allegro (Suite No. 2 in D, HWV 349: I. Allegro) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.
Author: Untitled
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02:16
George Frideric Handel's Water Music: 14. Lentement (Suite No. 2 in D, HWV 349: III. Lentement) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.
Author: Untitled
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04:16
Ombra mai fu from Handel's 1738 opera Serse (a.k.a. Xerxes), sung by Enrico Caruso. Recorded 29 Jan 1920, Matrix: C-23714, Victor Cat: 88617
Author: Enrico Caruso (1873–1921) George Frideric Handel (1685–1759)
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02:36
George Frideric Handel's Water Music: 17. & 18. Rigaudon (Suite No. 3 in G, HWV 350: II. Rigaudon) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.
Author: Untitled
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03:49
George Frideric Handel's Water Music: 12. Alla hornpipe (Suite No. 2 in D, HWV 349: II. Alla hornpipe) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.
Author: Untitled
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03:48
George Frideric Handel's Water Music: 19. & 20. Menuet (Suite No. 3 in G, HWV 350: III. Menuet) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.
Author: Untitled
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01:26
George Frideric Handel's Water Music: 21. & 22. Gigue (Suite No. 3 in G, HWV 350: IV. Gigue) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.
Author: Untitled
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This historic "flute clock" (orgeluhr) is a precious mechanical clock, with a small organ is combined. Given time to hear music from a pen-driven roller. Flötenuhrbaues the heyday was the late 18th out century. Flute clocks were built for affluent, culturally sophisticated circles, educated people with appropriate art and music understanding. The finest pieces built in vienna and berlin. Easier flute watches were up to about 1850 in large quantities in the black produced. They played for entertainment in guest houses. Several well-known composers wrote works specially for this instrument, as george frideric handel, carl philipp emanuel bach, haydn, antonio salieri, wolfgang amadeus mozart or ludwig van beethoven. Flute watches with great restrictions than their recorded music era to consider it forced the composer to be exact instructions in execution ornamentation and tempo. The coupling of wind plant and roll can be traced back to minimum tempos and makes historical flute clocks so interesting for issues of historical performance practice. Record with tascam hd-p2 and beyerdynamic mce82soundsystem: pro tools le.
Author: Ohrwurm
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01:52
A flötenuhr (also orgeluhr) is a precious mechanical clock, with a small organ is combined. Given time to hear music from a pen-driven roller. Flötenuhrbaues the heyday was the late 18th out century. Flute clocks were built for affluent, culturally sophisticated circles, educated people with appropriate art and music understanding. The finest pieces built in vienna and berlin. Easier flute watches were up to about 1850 in large quantities in the black produced. They played for entertainment in guest houses. Several well-known composers wrote works specially for this instrument, as george frideric handel, carl philipp emanuel bach, haydn, antonio salieri, wolfgang amadeus mozart or ludwig van beethoven. Flute watches with great restrictions than their recorded music era to consider it forced the composer to be exact instructions in execution ornamentation and tempo. The coupling of wind plant and roll can be traced back to minimum tempos and makes historical flute clocks so interesting for issues of historical performance practice. Recorded at "deutsches musikautomaten museum bruchsal"recording: tascam hd-p2 and beyerdynamic mce82;soundsystem: pro tools le.
Author: Ohrwurm
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