131 Royalty-Free Audio Tracks for "George Frideric Handel"

George Frideric Handel: Messiah

George Frideric Handel: Messiah

George Frideric Handel: Messiah

George Frideric Handel: Messiah

George Frideric Handel: Messiah

George Frideric Handel: Messiah

George Frideric Handel: Messiah

George Frideric Handel: Messiah

George Frideric Handel: Messiah

George Frideric Handel: Messiah

George Frideric Handel: Messiah

George Frideric Handel: Messiah

George Frideric Handel: Messiah

George Frideric Handel: Messiah

George Frideric Handel: Messiah

George Frideric Handel: Messiah

George Frideric Handel: Messiah

Handel, Hallelujah Chorus closing bars

George Gershwin's "Rhapsody in Blue" piano solo

George Gershwin's "Rhapsody in Blue" piano solo

Handel HWV 442 Chaconne in G Major, Variation 62 (digitally arranged in Sibelius)

A song from The Remains of Tom Lehrer

Handel, aria "Pena tiranna" from Amadigi. Orchestral introduction.

Mando Rag (1914), by Robert George Ingraham.

This version of S. A. Emery's "Sleep, Baby, Sleep" (composed 1869) was recorded by Vaudeville-Entertainer George P. Watson (1871 - 1926) in 1911 for the Victor Talking Machine Company in New York, NY.

An Oratorio chorus performing most likely the most famous part of Handel's Messiah, the Hallelujah. Performance date is 1916.

Les Caquets : rondo en Staccato pour violon / Chevalier de St-Georges, comp. ; harmonisation par M. Casadesus ; Marius Casadesus, vl ; accomp. de piano - face 2

Black and White Rag (1908), composed by George Botsford and performed here by James Brigham.

Les Caquets : rondo en Staccato pour violon / Chevalier de St-Georges, comp. ; harmonisation par M. Casadesus ; Marius Casadesus, vl ; accomp. de piano - face 1

The first movement, "Jubilee", from George Whitefield Chadwick's Symphonic Sketches, played by the U.S. Marine Band for the album Director's Choice.

Wax disk was copied to 78rpm acetate disk around 1960 then transferred to CD Rom in the 1980s and finally downsampled to consumer format. Original wax disk still held by family.

Hallelujah's chorus, from Handel's Messiah

Joy to the World! the Lord Is Come, Hymn 31 from The Army and Navy Hymnal

Al Jolson's recording of George Gershwin's "Swanee". Composed in 1919, Al Jolson recorded for Columbia Records in January 1920, and it became a runaway hit

I Know That My Redeemer Liveth, from Handel's Messiah

Композитор Г.-Ф.Гендель. Пьеса "Менуэт", Исп.: С.Якобсон (скрипка) (ум. в 1902). Выпуск фирмы "Amour Gramophone record"

Г.-Ф.Гендель "Ларгетто", пьеса Исп.: С.Якобсон (скрипка). Выпуск фирмы "Amour Gramophone record".

The Harmonious Blacksmith, the final movement, Air and variations, of George Frideric Handel's Suite No. 5 in E major, HWV 430, for harpsichord

Mozart; Concerto No. 25 in C - II. Andante

Concerto No. 20 in D Minor - II. Romanza

Mozart; Concerto No. 25 in C- I. Allegro maestoso

Concerto No. 20 in D Minor- III. Rondo - Allegro assai

Mozart; Concerto No. 25 in C- III. allegretto

Mozart; Concerto No. 18 in G-Flat- II. Andante un poco sostenuto

Mozart; Concerto No. 12 in A - II. Andante

Concerto No. 20 in D Minor - I. Allegro

Victor record n°17020-A, sung by Arthur Collins and Byron Harlan.

Edison yellow paraffin cylinder recording of Arthur Sullivan giving an after-dinner speech at the "Little Menlo" in London. George Gouraud had come to London to demonstrate Edison's "Perfected" Phonograph. Gouraud demonstrated the phonograph to various celebrities in a series of Phonograph Parties in the autumn of 1888 and made recordings of their reactions as messages for delivery to Thomas Edison. Arthur Sullivan (1842-1900) was one of these guests, and it is his speech to Edison that appears here. Length: 1:34 Transcription: “

Antonín Dvořák - Concerto for Violoncello and Orchestra in B minor, op. 104 - 2. Adagio ma non troppo (Pierre Fournier, George Szell, Berliner Philharmoniker, 1962)